Some good street detailing:-

And graphics:-

We headed out into the deep suburbs to see the housing schemes originally developed for the planned 1940s Olympics:-

And a later phase added in the late 1940s for tye 1952 Olympics.

We particularly admired the local allotments:-

And the wooden houses fron the 1920s  in Puu-Käpylä:-

Yesterday afternoon, we went to the Kulttuurisauna in Merihaka for Otto’s talk on ‘Holidays in Scandinavia: Post-War British Architects and Nordic Exchange’.

It was a charming, small, slightly rustic pavilion which holds a series of architectural talks:-

Thanks to Markus Lähteenmãki, we were able to visit the National Pensions Institute, one of Aalto’s several major post-war projects for the Welfare State.

The front façade is a touch dour:-

Less dour at the back:-

Inside, characteristically good quality detailing, including the lights:-

It was a working bureaucracy:-

With a fine library:-

Then, we went to a beautiful 1970s library, designed by Aarne Ervi, who had worked for Aalto:-

And had lunch in the restaurant in the Lasipalatsi, a perfectly preserved 1930s interior, recently renovated.  Very good reindeer:-

We went on a grand (self-guided) walking tour of Central Helsinki, beginning with the amazing (relatively) new public library where you can work at sewing machines and borrow an electric guitar:-

Next, we went to Kiasma, the Museum of Contemporary Art, designed by Steven Holl and opened in 1998 – surprisingly long ago:-

There is good strong detailing on the nineteenth-century buildings:-

A fine late nineteenth-century building on Kasamitori which doesn’t appear in the architectural guide:-

And an apartment building opposite designed by Herman Gesellius, Arnas Lindgren and Eliel Saarinen which does:-

Down to the docks and the old market hall (1889):-

On the other side of the harbour are Aalto’s Enso-Gutzheit office block (1959-62) and the Uspenski Orthodox Cathedral:-

East and south of the cathedral are good art nouveau and classical blocks with excellent stone detailing:-

We admired the old Custom House (1902):-

Then back into the neoclassical city:-

We ended with a cup of tea in the Cathedral Square:-

We went on a day trip to Alvar Aalto’s Paimio Sanatorium, which made his reputation internationally: designed in 1928 and 1929 by Alvar and Aino Aalto; an unexpectedly large sanatorium for 286 tuberculosis patients, who were only cured by an extensive period of rest.

The sanatorium is surrounded by forest.  It is designed in the latest, Modernist style, a factory of rest and well-being: dust-free, everything designed for its therapeutic character, including the choice of wall colours, done in consultation with a decorative painter, Aino Kauria:-

Good details:-

We went to the Seurasaari Open-air museum, on an island just north of Helsinki.  It was established in 1909 to preserve aspects of Finnish rural life, including, at its heart a large wooden farmstead:-

There is a fine rustic church, dated 1685 and moved to Seurasaari in 1912:-

A manor house, with more sophisticated interiors:-

And a house from Karelia:-

An obituary of my aunt has appeared in today’s Times, if you have a subscription.

It is an unvarnished description of her character.

https://www.thetimes.com/article/022082fd-f0f9-4ab7-a3c6-daf3844e6f2d?shareToken=2ef84a9b7cb4cb9a1b1efa0f45b079fe

We arrived in Helsinki last night, but have so far not had a chance to appreciate more than the glories of its railway station – designed by Eliel Saarinen in 1904 and opened in 1919:-

Annette Rubery, herself a scholar of Vanbrugh, has written an excellent, thoughtful review of the Soane Museum’s exhibition in exactly the spirit in which the exhibition was intended: an exploration of the status of Vanbrugh’s drawings and how they relate to Hawksmoor’s. Vanbrugh’s drawings were done at speed as outline sketches of ideas, often for small buildings, particularly at the end of his life. But the two he did of Castle Howard probably provide the best clue as to why he was commissioned to design it. He was able to convey the character of the building, if not its detail, in exactly the way that modern architects do – for example, David Chipperfield in his initial outline sketch of Hepworth Wakefield.

Vanbrugh: The Drama of Architecture – BSECS