A brief moment of transcendence with bright sun shining through fierce rain and a rainbow on the other side of the river and fields, and nearly two:-

Last night, we listened to a programme which we had been recommended (we missed it when it was first broadcast) about the wilful destruction – but it is not know by whom – of engravings and petroglyphs in a sacred cave belonging to the Wauja, indigenous people living in the Amazon whose way of life, music, and sacred rituals are under threat owing to Bolsanaro’s encouragement of the destruction of the rain forest and tolerance of pollution by mercury of the rivers. Factum Foundation, who are involved in the preservation of the Whitechapel Bell Foundry, had gone on an expedition in January 2018 to survey the cave. When they returned in September much of the cave had been destroyed.

https://www.bbc.co.uk/programmes/m000765p

I have stopped commenting recently on the fate of the Whitechapel Bell Foundry because I thought there was nothing left to say as we await with trepidation the decision of Tower Hamlets planning committee, now delayed, apparently because of the discovery of Roman remains under the Foundry.

But out of the blue, the Daily Mail has just published a succinct and pithy summary of the importance of the Foundry and the risk that it might be turned into ‘a prospective party pad for hedge-funders in search of a poolside mojito’.

The only thing missing from this account is that Historic England, the government agency responsible for the preservation of historic building, is supporting the Foundry’s destruction.

Maybe with the support of the Daily Mail, a few MPs might look into why this should be.

https://www.dailymail.co.uk/news/article-7320823/amp/Foundry-forged-Big-Ben-turned-hotel-locals-arent-taking-quietly.html?__twitter_impression=true

There’s a beautiful evening light tonight out on the fields after the recent harvest:-

I stopped on the way back to admire Basil Spence’s nuclear power station, designed in 1959 on the banks of an artificial lake on the recommendation of Dame Sylvia Crowe, the landscape consultant. I remembered that it looks particularly fine glowering from the south side of the lake:-

It’s impressive close up, too:-

Long decommissioned, there has been an occasional threat of demolition.

I spent the weekend in mid-Wales, north of Machynlleth – a very different environment from the north, more mountainous, less inhabited, dominated by the fact that much of the land was acquired by the Forestry Commission between the wars, creating a half managed treescape:-

I explored the surrounding woods and what survives of a old sporting estate, complete with early tennis court, boating pond and shrine converted out of an ice house:-

I walked down to the local waterfall and was pleased to find Chris Orr RA painting it under a makeshift tent, for all the world as if he was John Ruskin, but, unlike Ruskin, he was converting it into a Chinese Waterfall in the manner of Chiang Yee who made conventional English scenes look as if they were in Peking:-

I stopped off en route to Machynlleth to try and find St. Mark’s, Brithdir, which I have tried to do several times previously, but without success. The truth is that it is hard to spot, next door to what looks like a private drive and surrounded by a forest of thickly planted rhodendendra. But it is so worth it ! A magical, quiet, nearly perfect arts-and-crafts church, which miraculously turned out to be open, although I hadn’t expected it to be (it’s officially open in September), designed by Henry Wilson, who worked for J.D. Sedding, taking over his practice in 1891, but with the details of execution overseen by two of his assistants – Herbert North, later of Llanfairfechnan, and C.H.B. Quennell, co-author of A History of Everyday Things.

The church was commissioned by Louisa Jane Richards, a local landowner, in memory of her second husband, the Rev. Charles Tooth (Carlo Denti, as he was known in the family), chaplain of St. Mark’s, Florence, who died shortly after their marriage. The exterior is austere, but with a finely detailed bellcote:-

The interior is also mostly plain, dominated by a lead font, designed by Wilson and cast by William Dodds, who taught leadwork at Lethaby’s Central School:-

But what is amazing about the interior is the wonderful, low relief, repoussée beaten copper altar frontal, also designed by Wilson and a great masterpiece of arts-and-crafts design, glowing in the dark of the chancel:-

Charles Tooth is depicted with his guardian angel:-

The font is nearly equally fine, also by Wilson who established his own metalwork and jewellery workshop in 1898, just after the church was completed:-

I cannot recommend the church more highly.

I was wondering what these two butterflies were doing wing to wing, or back to back, and now, having looked it up, it does seem that they must be copulating. This should win me several points in the I-SPY book of Butterflies.