We went to the Grayson Perry exhibition at the Wallace Collection on Sunday.  I wasn’t going to post anything about it, except someone said to me that they thought Grayson was negative about the Wallace Collection.  I thought the exact opposite – that he had maybe started out being a bit resistant to it, but had ended up making a wide range of wonderful work in response to its collection, including metalwork, tapestry and pots.

I’ve realised that it is essential to take the sound guide in which he talks through what stimulated the major pieces:-