New in the garden.

Crab apples:-

Angelica Gigas:-

And Eucomis, not yet properly out:-

I went to Liane Lang’s new exhibition at the James Freeman Gallery in Islington – highly topical because it’s an exploration of statues of well-known women, a project begun some time before this became such a topical subject.  

The works are based on photography, but then manipulated in three dimensions – rock, marble and stone. I particularly admired the piece of Queen Victoria. The original statue was done by her daughter, Princess Louisa:-

I have been following with the utmost interest the plans and proposals for the new LACMA a) because it is a project by Peter Zumthor, a great architect and b) because it encapsulates so many of the trends of recent museum thinking – thematic displays, the abolition of history, less Eurocentrism, no sense of an encyclopedia, everything on the same level, no front door. The attached is a long and considered discussion of the project, well informed, but only half sympathetic:-

https://www.nationalreview.com/2021/07/new-lacma-learn-to-love-it-because-its-happening/

I’m sure I’ve done posts about the Bromley-by-Bow gasholders before, but as the surrounding area is developed, I suspect their future may be at risk in spite of them being rightly listed, designed by Vitruvius Wyatt for the Gas Light and Coal Company and very obvious monuments of high Victorian engineering:-

Before walking The Line again yesterday, I thought I should explore North Greenwich a bit, not least because last time I had failed to identify the location of the so-called Design District, even though it is signalled in large graphics, close to the tube stop:-

In theory, the area ought to be interesting – a showcase for new architecture and ideas after the whole area was decontaminated at public expense as part of the preparations for the Dome. It has the new building for Ravensbourne University, done by Foreign Office Architects in 2009:-

But, in practice, the area still seems a bit of a mess – lots of gigantic car parks, an ambitious walkway, some good buildings, a hideous Damien Hirst statue, and absolutely no sense of a masterplan, no sense of density or complexity or street life. It is as if architects and developers pay no attention to urban theory and just go on designing over-elaborate sheds with no understanding as to how these buildings might be integrated into a proper and successful overall urban environment:-

I went back to Cody Dock, one of the highlights of The Line – the walk from North Greenwich to the Olympic Park which weaves through the different, previously unconnected part of docklands.

Cody Dock is in a strange, still underexplored part of East London, close Star Lane station (yes, I had never been to Star Lane before). It was originally constructed by the Imperial Gas Company, an area of gasworks, the underbelly of industrial London. In 2009, it was acquired by a charity as a kind of hippy enclave – very beautiful and unexpectedly atmospheric, with a café in an area of big industrial warehouses:-

After the rain comes the sun, and the lilies are out in the front garden:-

So, they’ve changed the quarantine rules for everywhere except France, on the grounds that there is still a risk from the so-called beta variant, which is apparently mainly in the former French colonies. This means a ten-day quarantine period for everyone who comes from France unless you pay £250 to friends of Matt Hancock to reduce it to five. One wonders if this ploy is characteristic incompetence, greed or just petty-minded Francophobia.

I am very pleased to be a judge for the new pavilion which the ever-inventive Garden Museum is planning on Lambeth Green, part of a scheme for remodelling the spaces outside the museum:-

https://www.architectsjournal.co.uk/news/exclusive-garden-museum-reveals-finalists-for-lambeth-green-pavilion

A couple of months ago, I had a long, meditative Sunday morning conversation on Zoom with Johnny de Falbe, author and director of John Sandoe’s bookshop, in which he quizzes me gently, but probing about the nature, character and responsibilities of a wide range of museums, particularly private museums, including Louisiana, the de Menil in Houston and the Guggenheim Museum, Bilbao. Towards the end, the conversation broadened out to the vexed question of the sources of private donors’ wealth, the ethics of accepting donations, and the equally vexed question of government influence on trustee appointments, following the resignation of Charles Dunstone as chairman of the National Maritime Museum. I take the long view. It has always happened to an extent, if not quite so obviously and determinedly as under Oliver Dowden. The conversation, which is long and ruminative, has now appeared as a podcast. See below.

https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2pvaG5zYW5kb2UvZmVlZC54bWw/episode/am9obnNhbmRvZS5wb2RiZWFuLmNvbS8zZWM1MmMxZC1jMThjLTNkN2YtYjQwMy1mZjZiMzZjYmE2NmQ?ep=14