The artists have moved nearby to Caochangdi, a rougher and more earthy area of industrial warehouses where Ai Weiwei has designed a large studio complex.
We wandered down the street:-
Tag Archives: China
798
Off to 798, the old area of east German munitions factories which have been converted into art galleries and cafés:-
Xiliugong
After visiting the private quarters of the Forbidden City yesterday afternoon, I was, not surprisingly, curious as to how they have been so beautifully and atmospherically well preserved in a culture which has not much cared for its historic past and regards conservation as a process of progressive renewal. They are the six private palaces north of The Hall of Mental Cultivation (Yangxindian): the Palace of Eternal Longevity; the Palace of the Queen Consort; the Palace for Gathering Elegance; the Palace of the Supreme Pole; the Palace of Eternal Spring; and the Palace of Eternal Happiness. They survive more or less as constructed in the Ming dynasty, partly because they are not generally open, but only on special application.
Private Collections
Our guide in Shanghai gave the best description as to what happened to private collections during the Cultural Revolution when the Red Guards came to smash them up. Some collectors apparently gave works to the national museums. Some found hiding places. According to Linda Jaivin’s Beijing, ‘Many people burned precious artworks in their personal possession rather than see them destroyed by Red Guards and be beaten for having them as well’. But many collectors apparently held yard sales, whereby works were sold off cheaply, and hence were distributed widely in order to ensure their preservation. They are apparently now coming back onto the market. It is a topic which people don’t like talking about.
Beijing
Last stop Beijing. We’ve arrived in the deep white, miasmic haze of the polluted capital city. Our guide introduced the pleasures of Beijing by telling us about the poor state of the ladies’ lavatories and the likelihood of being scalped on Tiananmen Square.
We walked across Tiananmen Square:-
Through to the Forbidden City. Initially I was sceptical. But when we were allowed through a private door to an area occupied by the concubines and young princes and went into rooms unoccupied for a century at least, there was more of a sense of its history pre-Mao, before the Cultural Revolution, when Reginald Johnston taught the young Emperor Puyi to play tennis.
Mao hangs over the entrance:-
Power Station of Art
Last call was to the Power Station of Art, a state-run contemporary art museum opened in 2012.
Yuz Museum
We went to the Yuz Museum which is a converted aviation factory built by the Russians in an area of the city where the authorities have invited entrepreneurs to open private museums. The museum opened in 2014, designed by Sou Fujimoto:-
We began with the Rain Room by Random International where we got gently soaked:-
K11 (2)
We went to the K11 shopping mall in downtown Shanghai to see the exhibition they have done on the influence of Salvador Dali on modern Chinese art, a collaboration with the Dali Museum in Figueres, an appropriate use of the space, given the theatrical and crossover nature of Dali’s career and work:-
Then we had lunch:-
Zhang Huan
We went out to Zhang Huan’s studio in an old hydraulics factory in the far distant outskirts of Shanghai:-
He came out to greet us:-
Long Museum
I had been before to the Long Museum, just before it opened eighteen months or so ago. It’s an impressive, large scale, concrete structure based on surviving industrial remains. What I hadn’t expected was a scholarly exhibition in the basement devoted to The Imperial Art of the High Qing, art which survives in Chinese private collections from the reigns of three Emperors – Kangxi, Yongzheng and Qianlong. What wasn’t clear was where the works had been during the cultural revolution. Were they hidden or have they been bought back from the west ?
| Charles | Saumarez | Smith | 
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