James Bradburne’s latest exhibition at the Palazzo Strozzi is Power and Pathos: Bronze Sculpture of the Hellenistic World.   He encouraged me to see it, but I wasn’t able to make it to the opening.   It’s an extraordinary exhibition, wonderful bronze sculptures which are normally scattered amongst the regional archaeological museums where they were unearthed, like the bronze discobolos discovered in 2004 off the island of Kythnos and now in the Museum of Underwater Antiquities in Athens.   The portraits are of great intensity, strongly characterised because of the fluidity and strong expressiveness of the medium, some slightly idealised like the Aristocratic Boy from the Metroplitan Museum, some more tragic like the Young Ephebe from Heraklion in Crete.   Most of them have been discovered in the twentieth century, mostly by accident, so are not nearly so well known as those statues which are part of the classical canon.   It ends with divinity, but divinity is less moving than humanity.