I had been through the Arsenale before and was pleased to go through more slowly, appreciating, for example, Franz Erhard Walther’s Wall Formation ‘Yellow Modeling’:-

I was pleased to see the New Zealand pavilion by Lisa Reihana;  and again admired what I realised was the Italian pavilion, including Giorgio Andreotta Calò’s Senza titolo (La fine del mondo), which I had missed out before:-