I went to the second half of the two Cedic Morris exhibitions – abundant floriculture at the Garden Museum and more restrained landscape and travel painting tonight at Philip Mould & Co.   I hadn’t really registered him as a painter before (although there’s a very good Self-portrait in the NPG), not having seen Richard Morphet’s pioneering Tate exhibition in 1984.   I certainly hadn’t registered the extent to which his graphic language – outline drawing, acute observation, a touch of surrealism – influenced Lucian Freud and hence John Craxton (or was it the other way round ?).   The introductory panel mentions that he fell in love with Arthur Lett-Haines in 1918 and that they lived together thereafter, without mentioning that Lett-Haines was married and that they all lived together for a year.