Fitzwilliam Museum (1)

I had arranged to visit the Fitzwilliam Museum today, which I’ve managed to get to in spite of many cancelled trains and the suffocating heat. It’s worth it to see George Basevi’s magnificent entrance façade, built between 1837 and 1843, some time after the seventh Viscount Fitzwilliam had given £100,000 ‘to cause to be erected a good substantial museum repository’:-

The great Entrance Hall is later, by Edward Middleton Barry, third son of Charles:-

I started in Gallery I.

A Matisse acquired by Maynard Keynes on Vanessa Bell’s advice in 1919:-

A very beautiful Gwen John, painted in the early 1920s, given to the Fitzwilliam by Eric Milner-White, Dean of King’s from 1923 to 1938:-

This is Louis Clarke, who was the Museum’s Director, in a bronze by Jacob Epstein:-

Gallery V is also in the original Founder’s Building – beautiful, well proportioned, mid-Victorian, neoclassical galleries :-

It has a very beautiful early Degas (surprising):-

Gallery VI is the Upper Marlay, a wonderful gallery space, added by Sydney Cockerell in 1921 to designs by Arnold Dunbar Smith of Smith & Brewer, who Cockerell would have known through the Art Worker’s Guild. The early Italian pictures are hung on a background of Japanese gold wallpaper, like a jewel casket:-

A piece of Spanish alabaster:-

Gallery VII is later Italian.

A head of Cleopatra by Parodi:-

A Magnasco bequeathed by Steven Runciman:-

Extreme Unction, one of the Seven Sacraments from Belvoir:-

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One thought on “Fitzwilliam Museum (1)

  1. What took you to Cambridge ?

    Of course you are right about the architecture of the Museum – Edward Barry is much under-rated. I was ashamed that, despite being a Trustee of the Fitz for more than ten years, and having loved the Museum for more than 60 years, I didn’t know either the Parodi or the Magnasco. Thank you.

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