Nice pure lettering on the outside of High Point.  I forgot to check if the graphics inside have been redone to match.

I walked past the Piccadilly Hotel last week.  There is something magnificently surreal that two of its side windows in the alleyway between Piccadilly and Regent Street are under wraps:-

I went to see the little display of Hazel Press books at the London Review Bookshop, a small way of commemorating Daphne Astor who set the press up during lockdown in a flurry of creative activity.

It encouraged me to watch the short film she made during lockdown of her thoughts and feelings – meditative and so incredibly responsive to her surroundings, beautiful as they were.  She was astonishingly productive in a totally private, undemonstrative way, jotting down thoughts and ideas and images all through her life.

https://www.edgewise.online/honour/

We went to see the exhibition of Mingei at the William Morris Gallery in Walthamstow – a nice, small-scale, thoughtful exhibition on a topic which I felt I should have known about, but didn’t (and highly relevant to William Morris): the interest on the part of a relatively small number of Japanese intellectuals, including Bernard Leach who seems to have been co-opted as an honorary Japanese craftsperson in spite of not being able to speak the language, in the crafts of rural Japan: textiles and pottery from areas of the country which had recently been annexed. There was an image of Bernard Leach wearing what looked like plus-fours. I wasn’t able to photograph it, but have now found it online:-

This is what he looked like at the time while in Japan:-

Since the weather is now finally so hot, I have been paying more attention to the plants in the back garden.

I must learn to identify them:-

1. Caladium

2. Caladium Miss. Muffet

3. Zantedeschia (again)

4. Begonia

We went to hear Piet Oudolf talk at the very impressive Serge Hill Project for Gardening, Creativity and Health recently opened by Tom and Sue Stuart-Smith at Serge Hill, their house and garden in a strange and always unexpected piece of rural Hertfordshire. 

The Apple House is designed by their son, Tom Stuart-Smith – beautifully and thoughtfully ecological:-

Oudolf’s talk was admirably un-self-important, covering the amazing range of his work across the globe – museum gardens, civic gardens, community garden, roof gardens.  No mention of the Highline or Hauser and Wirth in Somerset, but a mass of other projects, all beautifully photographed year-round. 

It’s very remarkable what they’re doing at Serge Hill:-

Having got interested in the issue as to how the government is going to fulfil its pledge to build 1.5 million new houses in the next five years, I went to visit one of the other housing developments in the London RIBA awards: a private development on a former industrial site in deepest Walthamstow.

At first I thought it was a wasted trip because being a private development it is not accessible:-

But then one of the owners kindly let me have a peak behind the gate:-

I thought it was impressive: all wood; reusing some of the onsite industrial materials; very heavily insulated; with a particularly charming communal area in the middle:-

It would not have made it on to the final shortlist because it is more eco than strictly architectural and has been done by a developer, not the public sector.

But if the government is going to lift planning controls, then it should surely find a way of encouraging inventive adaptations of brownfield urban sites in a way which is ecologically sustainable.  This is a good model.

So, I salute the architects, Boehm Lynas, the developer GS8, and am very grateful to the residents who kindly allowed me to see it. 

I am also relieved that my guesstimate of what the unit cost might be was not way out.

https://www.ribaj.com/buildings/riba-awards-2024-london-east-the-arbour-boehm-lynas-gs8-housing-waltham-forest

The Critic has very kindly already posted the article I wrote for their August/September issue, because I am conscious that the government is deeply immersed in formulating its plans for solving the housing crisis, including how and where to build the new towns it proposed in its manifesto.

Its not going to be easy for them, as the last government found, because of the strength of opposition to large-scale new development in the places where it is most needed. The big issue is how to provide big tracts of new housing without overloading the existing infrastructure, which is why it is sensible to think of planned new towns, including new schools and community facilities, instead of just tacking new housing schemes onto green field sites which is what developers tend to prefer.

https://thecritic.co.uk/will-labour-build-back-better/#:~:text=I%20hope%20Labour%20will%20resist,by%20unplanned%20light%20industrial%20building.

While in South Clapton, I took the opportunity to see the other project by Al-Jawad Pike, very close to Chowdhury Walk which has been shortlisted for the Stirling Prize: also well done, thoughtful brick architecture, slightly variegated by using different bricks.  Both Al-Jawad and Pike worked for David Chipperfield.  You can see the influence in the use of simple forms and care in the detailing:-

I went to see Chowdhury Walk, a set of eleven, nearly identical brick terrace houses in an obscure area of East Hackney which has been shortlisted for the Stirling Prize.  It’s very well done:  calm, thoughtful, pared back, slightly sculptural, good use of materials, excellent craft detailing.  It’s interesting seeing it in a sea of post-war social housing, much of it apparently reasonably successful.  But the type was abandoned in the 1980s so is now having to be reinvented.  Its project cost hasn’t been revealed.  I would think that the project cost needs to be taken into consideration:-