I devoted my monthly column in The Critic to Sir Christopher Wren to mark the tercentenary of his death, trying so far as is possible – it is not easy – to give a sense of his personality, which seems to have been pretty reticent, incredibly hard working, able to get on with successive monarchs, and in the end, upset by the way he was ousted from the Office of Works, which had the benefit that he sat down to document his life in Parentalia.
A great man, as well as a great architect.