I had a meeting this morning in Surrey Quays, looking for temporary accommodation for the RA Schools in 2018/19.   We started at the top of a tower block by Canada Water to survey the scene.   Unfortunately, the weather was wet, so it wasn’t as impressive as it would otherwise have been.   It still gave a good view of the city from Wapping Pierhead west:-

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Because it was hot – actually, it was a mistake – I thought I would walk from our offices in Blackfriars to Piccadilly.   In general, I am immune to the complaints of those who worry about the transformation of Soho, regarding it merely as part of a long-term process of urban change.   But even I felt a faint twinge of regret as I passed what used to be Raymond’s Revue Bar which is in the process of being dismantled and made into something which will no doubt be smarter and more anodyne:-

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I went this evening to an event at the Royal Drawing School which was an opening of an exhibition of the work of students aged 10 to 18 who had in some way participated in their drawing classes, mostly on Saturday mornings in classes and clubs out of school, some in the National Gallery and some in Pembroke House south of the Elephant.   I found it fascinating to see the range of styles, some carefully considered, landscapes and mostly incompetent portraits, but all of them doing whatever they want to do, without formulae or tropes.   Most of all, I was struck by what a lively form of private expression drawing remains whether or not they go on (most of them won’t) to art school.

I went to an event in Highgate Cemetery organised by the Architecture Foundation.   Sam Jacob, late of FAT, has erected a structure which replicates the mausoleum designed but never built by Adolf Loos in 1921 in memory of the art historian, Max Dvorák, following Loos’s belief that ‘only a very small part of architecture belongs to the realm of art: the tomb and the monument’.   It has a ghostly orange presence:-

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Staying late last night gave me a chance to see the John Gibson exhibition properly.   Although, as readers have pointed out, his work can be seen around the country and we ourselves have done a leaflet for a Gibson Trail, including the Houses of Parliament, Westminster Abbey and the V&A, I wasn’t as familiar with his work as I feel I should have been.

This is Gibson himself as depicted by Edwin Landseer:-

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I just had my photograph taken for the annual report in the space which will be occupied by the Lecture Theatre.   The steelwork has now gone in.   It’s looking good:-

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I have resumed my morning walks across St. James’s Park as the sun gets up for another ultra hot day:-

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I went to see Anthony Eyton’s exhibition at Browse and Darby tonight.   I love his work – the sense of long and continuing visual study, aged 94, not just in the churchyard of St. George in the East or looking out on the steeple of Christ Church, Spitalfields, but also in the street markets of Mumbai, still going out every morning to try to depict the world in drawings and oil sketches.   In amongst the oil studies is a Self Portrait, hung with characteristic modesty behind the desk, but a small masterpiece, showing the intensity of his gaze and the ambiguity as to whether he is a boy or man:-

I had my first trip round Burlington Gardens since getting back from holiday.   It’s amazing how much work has been done in the interval.

This is the steel girder which will support the amphitheatre of seats in the new Lecture Theatre:-

This is the view through to the RA Schools where the new bridge connecting the two buildings will be built:-

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I have been reading about biophilia in a book called Happy Cities.   It’s the idea, first proposed by Edward O. Wilson (actually, there must be seventeenth-century, if not Greek, antecedents) that humans are hardwired to find nature restorative and, as documented by environmental psychologists, that cities should have ample access to trees.   I thought of this as I walked past Mile End park and thought how surprising it is to find such a scene in Bethnal Green:-